Conference Programme

Conference Venue

All sessions from 28 to 30 May 2026 will take place at the John Paul II Collegium of the John Paul II Catholic University of Lublin, located at:

5 Hieronima Łopacińskiego Street, 20-041 Lublin, Poland

Room 1031 (10th floor) · Rooms 101, 102 and 103 (1st floor)

10:30 – 12:30
ESTS Board Meeting (C-103A)
12:30 – 13:30
Registration & Lunch
13:30 – 13:45
Conference Opening (C-1031)
13:45 – 15:00
Keynote 1 (C-1031)
Alternatives in Performance: Reworking Chopin
John Rink
15:00 – 15:30
Coffee break
15:30 – 17:00
3 Parallel Sessions (A)

Session A1 (C-1031)

Jerónimo PizarroEditing Errors and Interpretative Shifts: Lessons from the Critical Editing of Fernando Pessoa
Wim Van MierloFraming ‘Difficult’ Authorship in the Scholarly Edition: The Case of Wyndham Lewis’ Apes of God
Christopher Ohge“You must have plenty of sea-room to tell the Truth in”: A Fluid-text Edition of Herman Melville’s “Hawthorne and His Mosses”

Session A2 (C-101)

Veijo PulkkinenCreative Decline in Christer Kihlman’s Born-Digital Manuscripts
Paulina Chorzewska-RubikSource Code Philology – Born-Digital Poetry and Authorial Textual Variants
Wout DillenInterpreting Writing Processes Co-Authored with Generative AI

Session A3 (C-102)

Sakari KatajamäkiExplanatory Strategies: A Comparative Study of Three Editions Aimed at a Wider Readership
Maria AkritidouEditorial Legacies and Interpretive Challenges: Editing a Romantic Poet’s Poems of Commemoration as a Social Text
Monika KazabuckaitėWho Is She: Editorial Decisions in the Representation of Žemaitė
17:00 – 17:30
Coffee break
17:30 – 18:30
3 Parallel Sessions (B)

Session B1 (C-1031)

Úna FallerJohanna St John, Her Booke (1680) — A Digital Edition
Katerina TiktopoulouEditing Fluid Texts, Shaping Interpretation: Reconfiguring the Print Page

Session B2 (C-101)

Dorota Rojszczak-RobińskaUniversal Tool or Tailored Solutions? The Apocrypha Database and the Diversity of Texts and Editorial Methods
Agnieszka SzulińskaConnecting Criticism and Scholarliness. The Analysis of Abstracts of Articles about Digital Scholarly Editions on GoTriple Platform

Session B3 (C-102)

Brett Barney, Kevin McMullen, Ashlyn StewartScoping and Organizing a Capacious Digital Edition
Lamyk Bekius (online)Keystroke Interpreted: Interpretation in Editing and Analysing Keystroke-Logged Literary Writing Processes
18:30
Cocktail
09:00 – 10:30
Keynote 2 (C-1031) (online)
Matter and Memory: The Collected Manuscripts of Lu Xun (2021)
Peng Yi
10:30 – 11:00
Coffee break
11:00 – 12:30
3 Parallel Sessions (C)

Session C1 (C-1031)

Elsa PereiraScholarly Annotation in a Critical-Interpretative Edition of Poetry by Violante do Céu
Beatrice Nava, Roberta Priore (online), Mariia Levchenko, Paola ItaliaLeggo Leopardi: building an Integrated Environment for Scholarly Editions, Translations and Genetic Editions
Bernhard OberreitherQuotation of the Nth Degree. Textual Genesis and Intertextuality in Karl Kraus’s Dritte Walpurgisnacht (1933)

Session C2 (C-101)

Tadeusz Rubik“The Text Going Wild?” Editorial Circulation of the Approved Polish Catholic “Wujek’s Bible” (1593–1900)
Ilona KalamonEditorial Interventions or Scribal Errors? Challenges in Interpreting Occasional Poetry from the XVIII Century
Igor MedićFragmented Corpus in Modern Editions: Re-contextualising The Miracles of the Blessed Virgin Mary from the Croatian Petris Miscellany (1468)

Session C3 (C-102)

Peter Boot, Elli Bleeker, Fenia Menexi, Sebastiaan van Dalen, Hennie Brugman, Leo JansenSustainable Prêt-à-Porter: the eDITem Project at the Huygens Institute
Brett Barney, Elli Bleeker, Carlotta Defenu, Chiara Martignano, Beatrice Nava, Marcus Pöckelmann, Roberto Rosselli del TurcoA Shared Methodology for Visualizing Textual Variation: the VIDIT Working Group
Alice GydéToward a Computational Workflow for Critical Editions: Challenges and Experiments from a Philological Case Study
12:30 – 13:00
Coffee break
13:00 – 14:30
3 Parallel Sessions (D)

Session D1 (C-1031)

Marcus Pöckelmann, Annette Weissenrieder, Johann Anton Zieme, Leon Lutz, Hubert MaraMaterial and Digital Advances in the Study of Manuscripts: Codex Vercellensis (VL3) and Codex Sangallensis 1395 (Σ)
Kengo Terasawa, Kiyoko MyojoDetermining Writing Chronology from Handwriting Changes: A Case Study on Kafka’s Early Manuscripts
Maria Candela SuarezExperiments with Handwriting: Nonverbal Signifiers for a Semiotics of the Genesis of Modern Manuscripts

Session D2 (C-101)

Ricardo Rato RodriguesRaiders of the Found Ark: Editing, Translating and Publishing Fernando Pessoa’s English Poems
Carlotta DefenuInterpreting and Editing the Imperfect: A Case Study from The Duke of Parma by Fernando Pessoa
Tania Furtado MoreiraIn Search of Definitive Edition: The Case of O Penitente, by Teixeira de Pascoaes

Session D3 (C-102)

Maciej WcisłoFrom Trauma to Arcadia: Editorial Strategies for the Softening of Memory in Józef Wittlin’s My Lwów
Agnieszka WronaRe-vision of the Maria Cheliga’s Archival Dramas. A Few Observations from the Process of Constructing the Anthology
Maria FronczakMarginalia and Paratexts in the Family Library of Krzysztof Kamil Baczyński
14:30 – 15:30
Lunch break
15:30 – 17:30
Visualizing and Investigating Differences in Texts (VIDIT) Working Group Meeting (C-102)
18:00
Special Event
An Evening with Olga Tokarczuk & Anders Olsson

Borders of Imagination: Perspectives on Textual Scholarship

Sala Widowiskowa Centre for Culture in Lublin
12 Peowiaków Street
20-007 Lublin
20:00
Conference Dinner
Spokojna 2 2 Spokojna Street
20-074 Lublin
09:30 – 11:00
3 Parallel Sessions (E)

Session E1 (C-1031)

Cinzia Chiarini, Lucia Adelaide Di NicolaBetween Libretto and Score Text: XML-TEI Strategies for the Critical Complexity of the Opera Libretto
Ilaria Scarponi, Alessandro Malavasi, Marta PacchinA Model for the Digital Edition of Eighteenth-Century Operatic Librettos. Challenges and Prospects
Magdalena TurskaCOREL – Evolution of Chinese Law Sources (1646–1906)

Session E2 (C-101)

Ksenia Papazova“Enriched” Paratexts in the Paper Book in Russia: Textual, Visual and Material Elements in Book Design
Marcel WarbischFrame the Letter! Materiality, Text, and Contemporary Logovisual Art
Agnieszka SłobodaGlosses as Performance Indicators in Mediaeval Polish Gniezno Sermons. From Written to Oral Version of the Mediaeval Text

Session E3 (C-102)

Iga Bąska, Wojciech KruszewskiDigital Editions and New Horizons for Humanities Data
Johannes Ioannu, Frederike Neuber, Fernanda WolffFrom Pattern to Interpretation: Topic Modeling as Editorial Record
Emily WattLetter Shapes from Punch to Print: Applying Semi-Automated Geometric Morphometrics to the Lettering of John Baskerville (1707–1775)
11:00 – 11:30
Coffee break
11:30 – 13:00
3 Parallel Sessions (F)

Session F1 (C-1031)

Mateusz AntoniukReduction, Proliferation. Genetic Criticism and Text Interpretation
Eleni PetridouThe Editor as Translator: Interpretation and the Translation of Literary Drafts
Nea PäläThe Materiality of the Narrator in Hertig Fredrik av Normandie

Session F2 (C-101)

Kiyoko Myojo, Kunihiko KatoHistorical and Institutional Conditions of Scholarly Editing in Modern Japanese Literary Studies
Paulius V. SubačiusA story that did not catch up with history
Magdalena MajdakThe Database of Historical Polish Lexicons: Edition and Interpretation

Session F3 (C-102)

Jagoda Marszałek, Iwona Krawczyk, Krzysztof NowakFrom Transcription to Interpretation: Transcribathons as Editorial Laboratories in Digital Textual Scholarship
Magdalena KomorowskaTo Open and Not to Close: The Perils of Tagging
Stefano RosignoliThe Literary Work and Its Value Chain: Rooting the Sociology of Texts in Empirical Realism
13:00 – 13:30
Concluding Remarks and Closing of the Conference
13:30 – 14:30
ESTS Members’ Meeting (C-1031)